Projects in 2021 address instabilities on a global scale, where trans-national action is paramount. Some projects engage with sites where the impact of climate change is unfolding in the here and now rather than some abstract future. Other projects confront the enduring histories of colonial and racial power asymmetries and the need for community formation. Yet others focus on mass-media responses to the current Covid pandemic. These are challenging subject areas that we meet with confidence in our agency to modify these systems for the better.
Fifteen Show 2021 Programme Page
Projects in 2020 are field reports from vanishing points where an uncertain past meets a fragile future. They explore subjects such as participatory city-making, colonial legacies, ethical conservation, property rights, Highland clearances, Aztec herbal manuscripts, China’s one-child policy, the creation of networks of empathy, constant productivity in the contemporary age, failed architectures of elevated pathways, and the material remains of the sites of residence of the last emperor of Ethiopia, Haile Selassie I. This diverse range of work demonstrates a commitment to the idea of practice as a political operation within the public realm, where each project aims to reimagine the role of the public practitioner in the 21st Century.
Fifteen Show 2020 Programme Page Previous shows are documented here.
Situated Practice: Live presents a sequence of moments through which Situated Practice MA students share their work with the public across London. Visitors are invited to participate in immersive performances, attend screenings, walk streets and paths, hear readings, share stories and contribute to workshops and discussions.
Dieuwke Cappaert
Wednesday 16 October, 14:00-15:00
Room G.08, The Bartlett School of Architecture, 22 Gordon Street, WC1H 0QB
Dieuwke will present her work on the ageing brain, memory loss and how older people shape their home environments spatially. Using an installed drawing as a prompt Dieuwke will discuss graphic drawing as a method for research and communication in the field of design for the ageing brain. A sample box of spatial tactics devised from research of her grandfather’s house will be presented and explained.
Invited contributors from different fields will offer a short comment on this work and the topics it touches on, with opportunity for questions to be asked about the future of design for our ageing population.
Click here to book your tickets via eventbrite.
Ignacio Saavedra
Wednesday 16 October, 15:30-17:30
Room 1.02, The Bartlett School of Architecture, 22 Gordon Street, WC1H 0QB
In this interactive workshop, Ignacio will prepare a space for an open dialogue, with the purpose of sharing positions, experiences, logics of understanding and practical approaches to the new ways of operating in areas where art and architecture are intertwined.
There will be opportunity to use and contribute to a collection of materials that will become a tool to enter into dialogue with others. Participants in the workshop will deconstruct expertise and produce new collective readings and knowledge around this emerging field.
Click here to book your tickets via eventbrite.
Eloise Maltby Maland
Wednesday 16 October, 18:00-20:30
North Observatory, UCL, Gower Street, WC1E 6BT
Eloise's performative reading of A Lunar Perspective travels in an irregular orbit around Lunar House, a UK Home Office Visa and Immigration building, to question how we map, control and understand our relationships to the land and the people around us.
Eloise will perform this short piece inside UCL’s North Observatory, using the work to question the practices of bordering and othering which are present in the front line of UK immigration policies and made manifest in Lunar House.
Through this orbital journey, A Lunar Perspective touches upon themes of astronomy, mapping and bordering to explore connections, real and imagined, between the body, the land and the sky and to examine the politics of traversing the border.
Click here to book your tickets via eventbrite.
Luofei Dong
Thursday 17 October, 1400-15:00
Northala Fields, Kensington Road, Northolt, UB5 6UR
This installation/performance is part of Luofei's project The Emancipated Hill/隐山, which attempts to address these questions:
What happens when a hill vanishes in a city, with its architectures and its people?
How will a hill emancipate itself?
Luofei will invite visitors to collectively install light and ephemeral bamboo structures, which originate from the traditional Japanese ceremonial meal of ‘flowing-water ramen’. The installation/performance will celebrate the situatedness of being on the hill and reveal the problematics of the contemporary urban ‘green’ place-making; considering landscape as a resource to be extracted, economically valuable and exclusive, ‘pleasantly designed’ views that reinforce class divisions.
Click here to book your tickets via Eventbrite.
This event involves travelling from one site to another, if you have any physical access queries please contact us at least one day in advance.
Anastasia Perahia Dede
Thursday 17 October, 18:30-20:30
Old Baths, Hackney Wick, E9 5JH
This event is part of The Bartlett's Constructing Realities Lecture Series, an informal discussion series exploring the current trends in the making, process and design of our built environment.
Anastasia will present a video exploring the nexus of language and landscape through the disappearance of Judeao-Spanish/Ladino in Greece.
Click here to book your tickets via eventbrite.
Valeria Muteri
Thursday 17 October, 18:30-20:30
Old Baths, Hackney Wick, E9 5JH
This event is part of The Bartlett's Constructing Realities Lecture Series, an informal discussion series exploring the current trends in the making, process and design of our built environment.
Valeria will give a performative reading from an installed ‘balcony’ representing the main dissident found in Castelvetrano, Sicily, Giuseppe Cimarosa. Son of a cousin of the current mafia Godfather, Giuseppe has responded to the family by declaring his position against the mafia publicly. The project is an homage to his brave act of resistance.
Click here to book your tickets via eventbrite.
Shivani Shah in collaboration with dancers and choreographers Camilla Isola, Gladys Wen, Iris Athanasiadi and Sophie Holland
Friday 18 October, 17:00-18:00
Bank of England, Threadneedle Street, EC2R 8AH
Shivani's collaborative site-specific performance uses human movement to reveal an alternative measure of the value of land in the Bank Junction to its workers. The performance aims to cause shifts in the land value momentarily and raise consciousness among the users of the site.
Shivani references language used by profit-driven real estate developers for explaining land value calculations. This intentionally mystifying language aims to derive the highest economic value from a piece of land and creates blind spots which are used by developers as opportunities to distort the projected values of land. The effects of this can be seen in the form of extortionate rents which are destroying the way human life is organised and the cities we live in built.
Click here to book your tickets via eventbrite.
Jerneja Rebernak
Friday 18 October, 18:30-19:30
RAW Labs, Norton Quays, Royal Albert Wharf, E16 2QP
This interactive project invites visitors to consider their future in a post-flood scenario where climate emergency has been declared and extreme rising sea level is impacting the Thames Estuary. Jerneja critically questions how locative technologies could uncover different possibilities for collective architectures.
Visitors will have the opportunity to create an imaginary soundscape by exploring the liminal edge of the river through a collective walk using a local area network (LAN) infrastructure. As non-human living entities, water and waves, will intermingle in a temporary sound intervention activated by the presence of the audience.
The Planetary Institute is the sensorial and spatio-temporal embodied presence of the practitioner within the landscape.
Click here to book your tickets via eventbrite.
Sophie Hardcastle
Saturday 19 October, 14:00-14:45
Hackney Wick Station, Wallis Road, E9 5LN
Sophie’s intervention invites visitors to take part in a collective act of walking to explore the importance of specificity, sensitivity and subjectivity within the built environment and challenge the detached, dis-embodied and distanced practices that surround urban transformation.
Participants are invited to hear the voices of the local community and welcomed to challenge their own position, perspective and interpretation of the landscape. During this intervention Sophie queries:
How can the concept of ‘situated knowledges’ be harnessed within discourses of urban planning?
How can contemporary urban practices become located within a site and grounded within the surrounding context?
How can we celebrate embodied knowledges and come to value voices that are locatable, accountable and responsible?
Click here to book your tickets via eventbrite.
Ignacio Rivas
Saturday 19 October, 16:00-17:30
Hackney, please see Eventbrite for exact location
Ignacio’s collaboratively produced performative event relates and intersects the stories of a group of independent workers in East London. Using a narrative that shifts through time and space, the event reflects on the precarity of the flexible labour practices in our present society. Ignacio responds to the increasingly difficult to define differences between our work environment and our own lives.
The collective actions of this open rehearsal seek to expose the ‘everyday’ and the ‘personal’ in a public sphere in order to question the contemporary idealisation of the independent and flexible working style, that encourages competition, personal entrepreneurship and self-definition over the collective ideals of society.
Click here to book your tickets via eventbrite.
This event involves travelling from one site to another, if you have any physical access queries please contact us at least one day in advance.
Sound, image, voice. We harness the power of the essay-film as a flexible medium.
To essay, to assay, to weigh: we use the form to produce critical thought and to engage with new publics.
By Teagan Dorsch
MA Situated Practice, 2021
By Emelia Escobar
MA Situated Practice, 2021
By Chia-Ying Chou
MA Situated Practice, 2021
By Zheng Wu
MA Situated Practice, 2021
By Anastasia Perahia-Dede
MA Situated Practice, 2019
By Teagan Dorsch
MA Situated Practice, 2021
By Valeria Muteri
MA Situated Practice, 2019
By Ignacio Rivas
MA Situated Practice, 2019
by Rafael Guendelman
MA Situated Practice, 2018
by Pranati Satti
MA Situated Practice, 2019
Marianne Glinka
MA Situated Practice, 2019
by Kai-Wen Chen
MA Situated Practice, 2018
by Hilary Bonnell
MA Situated Practice, 2018
by Kai-Wen Chen
MA Situated Practice, 2018
Hilary Bonnell
MA Situated Practice, 2018
SITUATED PRACTICE MA, THE BARTLETT SCHOOL OF ARCHITECTURE, UCL